Athanasios (Arthur) Kalamaras

Athanasios (Arthur) Kalamaras, a Greek-Australian artist known as West Australia’s foremost figurative sculptor, has a rich artistic heritage in both Greek and Australian culture. Born in Florina, Greece, in 1950, his family relocated to Western Australia when he was a year old. His father, Leonidas, a celebrated Greek artist, and his mother, Vasso, a sculptor, poet, and playwright, fostered a creative environment. Athanasios was also influenced by his uncle, Dimitris Kalamaras, a prominent Greek sculptor.

His artistic exploration began with extensive travels across Europe from 1968 to 1972. He later pursued formal studies in sculpture, graduating from W.A.I.T (Curtin University) in Perth in 1974, simultaneously obtaining a diploma from the Pedagogic Academy. His study and travel to museums and archaeological sites across Bulgaria, Poland, Italy, and Greece, introduced him to diverse sculptural styles and techniques.
In the 1970s, he was commissioned to craft wood carvings for a Catholic Church in Perth, creating powerful pieces such as “12 Stations of the Cross” and a life-size sculpture of Christ on the Cross. This marked the beginning of his increasing popularity in Australia, with his works displayed prominently across the country.

While initially experimenting with modern and abstract concepts, Athanasios eventually embraced principles from the Renaissance and Classical Greek antiquity. His mastery extended to hard materials like stone and marble, reviving the ancient sculpting techniques.
Noteworthy among his creations is the monumental memorial “Minmarra – Gun Gun” (later renamed “Yorkas Nyinning”), commemorating pioneer women of Western Australia and incorporating Aboriginal symbols. This significant piece, completed at age 27, symbolizes women’s role in the region’s development and remains a highlight at King’s Park Botanical Gardens in Perth, WA. Other monumental stone sculptures, include “Goddess of Athena” and “The Mel of the Wargle,” reflecting a deep connection to his roots and diverse cultures.
His use of various mediums, from sandstone sculptures like “Kouros and Kori”, to a 2-meter wooden sculpture of the “Mother and Child,” showcases his versatility across materials and forms.

Beyond his artistic endeavours, he played a pivotal role in establishing the “J Shed Art Studios,” a hub for arts and culture in Fremantle, WA during the early 1990s.

Throughout his career, Athanasios has exhibited his works extensively, participating in solo and joint exhibitions across Australia. Notably, his 2006 exhibition at the Vafopouleio Cultural Centre in Thessaloniki marked a significant return to his birthplace in Greece.
Athanasios Kalamaras’ artistic legacy remains a testament to his dedication to ancient principles, his mastery of diverse materials, and his profound connection to both his Greek roots and Australian landscapes.

News & Media

A fusion of cultures an ancient inspiration in Western Australia, The Greek Herald, 5 January 2024